Tannoy Little Gold Monitor Review

TABLE OF CONTENTS

MY STORY

Tannoy Little Gold Monitor (aka LGM’s) speakers were my first set of dual concentric Tannoys. I was watching these on eBay for a couple of years and always wanted a pair. They do not come up on eBay very often, and when they do, they can reach anything between 600 to 1200 GBP. Purchasing mine was a bit of a coincidence, or perhaps the universe was giving me signs to purchase these… at least this is how I had to explain it to my wife at the time :).
I found a listing on eBay with collection only from Bristol, which nearly 5h drive from where I live. Around the same time, I was asked at work to go on a business trip – guess where? Near Bristol… I contacted the seller, made an offer, and arranged a mutually convenient collection time. Week after, I was a proud owner of these beautiful Tannoys.

Please note – usually before reviewing vintage speakers, I recap the crossovers to ensure that capacitors are within manufacturer’s specification. On this occasion, caps were within the specs, so there was no need to replace them. Also, bear in mind that purchasing vintage speakers is always a gamble. 30 and often 50 years it’s a long time, and one can never be sure how this time affected the loudspeaker drivers. Consequently, it is possible that the Tannoy Little Gold Monitor that you have purchased will measure and sound different than the pair I reviewed.

SPEAKER INFO

Model History

Tannoy Little Gold Monitor speakers were developed with nearfield studio monitoring in mind, and recording/broadcasting studios are where most of these speakers were used (see the image on the left, that was found somewhere on the Internet). Many studios still use them these days. A good while ago I came across news about Sheryl Crow buying a new house for millions of dollars. I’m not usually interested in this type of news, but there was a photo of Sheryl’s studio-room (check out the image on the right) and I was very pleased to discover that she had the Tannoy Little Gold Monitors behind the mixing desk. Presumably, whoever works in there with Ms Crow, could have asked for any speakers regardless of cost, and yet he or she chosen Tannoy LGM. It appears that despite the age, there is still a demand for these among professional sound engineers.

Design

Tannoy LGM speakers, similarly to many other Tannoy designs, feature famous ‘Dual Concentric’ construction which means that we have two diaphragms (high and low frequency) combined in one driver and working on the same axis (for more details see the Design paragraph in the Monitor Gold 15″ Review). Speakers from ‘__ Gold Monitor’ range are the successors of ‘__ Red Monitor’ range and feature minor improvements over them. Please don’t confuse these with much older Monitor Red or Monitor Gold drivers from 1960s and 1970s.
 

TANNOY LITTLE GOLD MONITOR SPECS

LOOK & FEEL OF TANNOY LITTLE GOLD MONITOR SPEAKERS

In my humble opinion, together with the Tannoy Little Red Monitors, these speakers are one of the best looking vintage speakers ever. The enclosures are made of thick MDF with two internal bracings, and finished in oiled walnut veneer – good looking and very rigid. Golden treble controls and golden writing nicely contrast with the black front panels.

The drivers are very neatly finished with the baskets made of gold painted die cast alloy, with a lot of ‘breathing’ space. The 12in bass diaphragms are made of rigid paper suspended on fabric surrounds that are likely to outlive you. The 2in tweeter diaphragms are made of aluminium and are positioned behind the ferrite magnets. The treble horn throats are painted in gold colour and gently glare through the centre of the drivers (very nice!).

The crossovers are hardwired and feature fairly standard components. Interestingly, there is an additional board attached to the crossover which is responsible for delaying the high frequency signal. As far as I am aware, this was done as a result of using flatter ferrite magnet in the driver construction. Due to type of magnet used, the horn throat was much shorter than in older ranges like Monitor Gold or Monitor HPD, which featured tall AlNiCo magnets with longer horn throats. Shorter horn throat meant that high frequency diaphragm was not aligned in phase with the woofer membrane, and this created the need for the time delay circuit.
Internal wires and connectors are decent but nothing over the top – computer 4 pin plugs and fairly thick copper wires. Overall, Tannoy LGM are great ‘little’ speakers with rigid enclosures, very good finishing quality and plenty of attention to details.

SOUND OF TANNOY LITTLE GOLD MONITOR

First Impressions

When I bought these speakers, I first compared them to a pair of modern budget floor-standing speakers – Tannoy Mercury F4. What hit me first, was how transparent and clear Tannoy LGM’s were. The difference was quite sigificant. In direct comparison, the modern Tannoys sounded like they were playing from behind a curtain, whereas Tannoy Little Gold Monitors sounded like musicians were playing in my living room. However, first impressions can be misleading so for next two years, these were used as my main speakers and compared with many other loudspeakers during this period.

Bass

After living with these speakers for a long time, I can say with confidence that people who like full bodied sound or deep bass will not be too happy. These speakers have -4dB at 55Hz and they rapidly drop below this frequency. In their defence though, whatever bass they do, they do it very well. And the dynamics in the upper bass is rather good, or it may just be how the lack of deep bass affects my perception. I’m saying that because oftentimes speakers with limited low end are described as ‘more controlled’ or ‘faster’. One more thing to note here is that these speakers can be played very loud without any audible sound distortion or mechanical noises from the speakers. Of course, you could probably get them to start distorting, but for 99% of domestic applications, these will be more than enough in terms of SPL and power handling.

Midrange and Treble

Midrange and treble is where Tannoy Little Gold Monitor speakers exceed. They provide great level of details and transparency. Instruments and vocals sound very natural. Especially guitars and other stringed instruments. I have not yet heard any other speakers playing guitars so beautiful and realistic as LGMs. Listening to Give Me All Your Love from the Stalkers In Tokyo album by Whitesnake was the closest experience of attending that acoustic performance in person. However, as we all know, speakers are always some sort of compromise, and Little Golds are no different. Great transparency and a lot of details make them a little edgy. They tend to emphasise flaws and have no mercy for poor recordings. If you combine these qualities with lack of low end extension, you end up with loudspeakers that only sound good with top quality recordings, such as Darlin’ Cory by Chris Jones. This meant that 70% of my music collection suddenly became less pleasant to listen to… Some, more upbeat songs such us The Only Thing That Looks Good On Me Is You by Bryan Adams just sound unbearable. Something to consider before purchasing Tannoy Little Gold Monitors.

Soundstage

Another thing to consider is the depth of soundstage – there is not much of it. The presentation of these speakers is very similar to all other large Dual Concentric Tannoy drivers I experienced – a wall of sound. Despite this, they are still very musical and give the impression of being with the artists in the room, just not a very large room.

Tannoy LGM Vs Tannoy LRM

I was lucky to purchase a pair of Tannoy Little Red Monitors when I still had the Little Gold Monitors. I did not expect any noticeable difference in sound, as both constructions are pretty much the same. I quickly discovered that differences are a lot more noticeable than I anticipated. Although tonally both speakers seem to be identical, the transparency is where the most of differences are. The LGMs are noticeably more transparent and more airy than LRMs, which on some well recorded songs can sound astonishingly good. This also makes some tracks with echo, pianos and clapping sound more involving and realistic than on Little Reds. On the other hand, LRMs are more pleasant and less fatiguing to listen to – they may not be as transparent as Little Golds but this can be a good thing, especially when it makes you enjoy your music collection more.
In short, Tannoy Little Gold Monitors are more transparent and airy whereas Tannoy Little Red Monitors are not as resolving but easier to listen to. After all, it all comes down to personal preferences, but if had to choose between them and could only have one set of speakers, it would probably be LRMs.

CONCLUSION

Tannoy Little Gold Monitor are very transparent speakers but with a bit of edge to it. Fairly natural sounding but modest with bass, which spoils the balance of sound and makes them sound bright. These may be good for studio monitoring but can be a bit fatiguing when used at home, unless only used with best quality recordings. If you want something more gentle Tannoy Little Red Monitors may be a better option for you. Overall, very impressive speakers but not good as all-rounders.

Balance of Sound:
Neutrality of Tone:
Transparency:
Soundstage:
Attack:
Engagement:
Total Score:

SONGS MENTIONED IN THIS REVIEW

Bryan Adams – The Only Thing That Looks Good On Me
Chris Jones – Darlin’ Cory
Whitesnake – Give Me All Your Love (Unplugged)
 

Reviewed: October 2012 | Published: November 2014