I was searching for a small set of speakers for my bedroom and came across these monitors. A quick internet search revealed mostly positive opinions and because I really enjoyed listening to JBL L26 and L100, I thought I would give JBL L20T a go. The speakers, apart from a couple of scuffs here and there, turned out to be in very good condition.
Please note – usually before reviewing vintage speakers, I recap the crossovers to ensure that capacitors are within manufacturer’s specification. On this occasion, caps were within the specs, so there was no need to replace them. Also, bear in mind that purchasing vintage speakers is always a gamble. 30 and often 50 years it’s a long time, and one can never be sure how this time affected driver suspension compliance, ferrofluid cooling is some tweeters, etc. Consequently, it is possible that the JBL L20T that you want purchase will sound different than the pair I reviewed.
Following the success of JBL’s L Series from 1970s, JBL decided to release another L Series in the mid-80s. As previously, the whole series was a domestic version of JBL’s studio monitors from that era, and included the following models: L20T, L60T, L80T and L100T. The studio equivalent of the reviewed speakers were the JBL 4406 – nearfield studio monitors. The JBL L20T’s were a compact two way bookshelf speaker, that according to JBL, are supposed to offer extended frequency response, great dynamic range and reproduction of the full sound stage. They feature JBL’s acclaimed titanium high frequency transducer, O35Ti, which allows them to go way above the audible frequency range. Considering their size, they offer extremely high power handling, which combined with their average sensitivity of 87dB, means that they can be played fairly loud.
JBL L20T Specs
|Frequency Response:||47 – 27,000Hz|
|Sensitivity:||87dB (2.83V input, measured at 1m)|
|Power Capacity:||100W (continuous program)|
|High Frequency Driver:||O35Ti 25mm (1″) Titanium Dome|
|Low Frequency Driver:||115H-1 165mm (6.5″) Polypropylene Cone|
|Enclosure Type:||Bass Reflex|
|Enclosure Dimensions (HxWxD):||375x240x210mm (14.75×9.5×8.25″)|
|Weight:||7.5kg (each speaker)|
|Price When Launched:||£335 for a pair|
|Equivalent Present Day Price:||£970 for a pair|
|Current UK Price:||£100 to £250 for a pair|
Look & Feel of JBL L20T Speakers
The finishing quality is very good. The enclosures are made of chipboard, finished in a real wood veneer and dampened with open cell foam. Quite rigid and relatively heavy considering the size.
The drivers are very neat and remind me a bit of the units from Yamaha NS-1000s – very industrial and solid. The tweeters feature domes made from titanium, whereas the bass drivers feature cones made from polypropylene, suspended on rubber surrounds. These are driven by relatively hefty ferrite magnets, mounted on the back of rigid cast alloy baskets. The crossovers are pretty standard and feature fairly decent components (in comparison to JBL crossover’s from the 70s).
Sound of JBL L20T
Having experienced and being impressed by older JBL monitors, I had really great hopes for these JBL L20T bookshelf speakers. When I plugged them in for the first time, they very much reminded me of my laptop speakers (i.e. raising frequency from 500Hz to 10kHz). It felt as if something was missing in the midrange, which made them sound a little bright. I was hoping that this feeling will go away as I spend more time listening to the speakers.
For their relatively small size, JBL L20T are capable of playing quite loud without any audible signs of distortion, which can make songs such as The Flat Earth by Thomas Dolby enjoyable when played loud. The attack is pretty good and the drums can sound quite dynamic, albeit not very realistic in terms of tone. The speakers go quite low for the size, however, because of the amount of treble they generate in relation to bass, they sound quite thin. This is very noticeable on recordings with pianos and double bass. Unfortunately, regardless of how many attempts I made, this leanness did not go away, and I constantly felt a lack of something.
The midrange and treble do not seem to be well balanced. Clapping sounds more like rain, and this is very noticeable on live recordings such 4 Jezdzcy by Kult from their MTV Unplugged album. Also, I did not enjoy the woodwind instruments on the JBL L20T – instead of soulful and enjoyable experience that I usually have with Ben Webster’s My Romance album, I received fairly cold and not a very engaging one. Furthermore, the speakers give an impression of a relatively small sound stage – this is especially noticeable, when I compare them directly with my Yamaha NS-1000. When I switch from Yamaha’s to JBLs, everything becomes smaller and shallower. This means that instead of creating an illusion that I am at a concert, they just make me feel like I listen to a set of speakers. The vocals and guitars tend to sound ok, but nothing to write home about.
Overall, and despite trying very hard, I struggled to find anything that I would like about these speakers. Which is interesting, as I have seen plenty of positive comments on various forums. It clearly shows, how subjective our sound perception is…
The JBL L20T are not very enjoyable and not very engaging to listen. Thin and relatively cold sounding. Good attack for the size and impressive power handling.
|Balance of Sound:|
|Neutrality of Tone:|
Songs Mentioned In This Review
Kult – 4 Jezdzcy (MTV Unplugged)
Thomas Dolby – The Flat Earth
Reviewed: November 2016 | Published: December 2016